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And objecthood essay

The word "objecthood," by virtue of the contained suffix, can be defined as the condition of being an object, or the object condition. The meaning of "objecthood" then depends on the meaning of the word "object. How is it that some objects can be classified with, or viewed with special significance at the exclusion of all other objects? More specifically, under what conditions are objects declared art objects, and under what conditions do they remain mere objects? The specific word "objecthood" relates to theories of media via Michael Fried's reliance on the term in his art theory and criticism. The term does work in his essay "Art and Objecthood" by containing the anti-theses of art.
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Art And Objecthood Michael Fried

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Art And Objecthood Michael Fried, Sample of Essays

We use cookies to give you the best experience possible. For Fried, its theatricality is a symptom of the decadence of literalist works of art, which establishes a staged relationship, in time, between object and beholder. Fried preferences a kind of Modernism which is more authentically abstract: insisting Modern artworks should be abstracted from pretence, from time and from a sense of object. He points out that the ambition of Judd and his contemporaries is to escape the constraints of painting: the restrictions imposed by the limitations of the canvas. Composition and the effort to create a pictorial illusion are never, according to Fried, quite convincing enough, quite original enough, to be satisfying. Painting is doomed to failure, but perhaps some resolution will arrive with the introduction of a new dimension. In practice, the new dimension brings with it a new focus on the relationships within the work.
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Art and objecthood essays and reviews

Fried's contribution to art historical discourse involved the debate over the origins and development of modernism. Along with Fried, this debate's interlocutors include other theorists and critics such as Clement Greenberg , T. Clark, and Rosalind Krauss. Since the early s, he has also been close to philosopher Stanley Cavell.
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Fried's contribution to art historical discourse involved the debate over the origins and development of modernism. Along with Fried, this debate's interlocutors include other theorists and critics such as Clement Greenberg , T. Clark , and Rosalind Krauss.
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