Othello ascends to the rank of the Venetian military, a city - much like Elizabethan England when the play was written - rife with racism. A general in the army, Othello holds a distinguished place in the Duke's court due to his victories in battle, but not an equal one. He suffers barbs and preconceived notions, yet Othello is esteemed and wins the love of the daughter of a nobleman. However, Brabantio is enraged by Othello's marriage to Desdemona and claims Othello used magic to compel her to run to his "sooty bosom".
Theme Of Manipulation In Othello
Othello Manipulation To Gain Power, Sample of Essays
Almost immediately after reading this letter, she starts to think of a way to assure that Macbeth becomes king. She wants to kill King Duncan. It is too full of the milk of human kindness to catch the nearest way. This is where her manipulative persona comes into play.
Manipulation In Othello
Throughout the play of Othello, Iago used many techniques to get what he wanted, and one way or another he somehow all most always got what he wanted. His techniques were that of an everyday sneaky, conniving bad guy, who always got people to trust him, except the person that was closest to him. But the main overall techniques he used were; 1 He gained the trust of people. Which was the number one technique, and from gaining their trust he could branch off from that, and then he could manipulate the people he was playing into thinking that he was on their side even when he might be on the opposite side.
The Poetics of Aristotle B. He reduces the drama to its language, people say, and the language itself to its least poetic element, the story, and then he encourages insensitive readers like himself to subject stories to crudely moralistic readings, that reduce tragedies to the childish proportions of Aesop-fables. Strangely, though, the Poetics itself is rarely read with the kind of sensitivity its critics claim to possess, and the thing criticized is not the book Aristotle wrote but a caricature of it. Aristotle himself respected Homer so much that he personally corrected a copy of the Iliad for his student Alexander, who carried it all over the world. In his Rhetoric III, xvi, 9 , Aristotle criticizes orators who write exclusively from the intellect, rather than from the heart, in the way Sophocles makes Antigone speak.